British Film Institute « Preserving the Hand-Painted Films of Margaret Tait

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Bibliography

Aurand, Ute. [Obituary] ‘Margaret Tait’. Translated from the German. First appeared in epd Film, Frankfurt, June 1999. Bell, Gavin. ‘A Reel Visionary’, The Scotsman, 27th September, 2000. British Film Institute databases: SIFT; Film Index International. Conservation Center for Art and Historic Artifacts (CCAHA). Mold. Managing a Mold Invasion: Guildlines for Disaster Response, Philadephia, 1996. Curtis, [...]

Tags: archivist, Arts Council of England, Baltimore, Britain, British Film Institute, Center for Art and Historic Artifacts, Conservation Center for Art and Historic Artifacts, David Curtis, Eds, Film Maker on Tour Margaret Tait, Financial Times, International Federation of Film Archives, Leonard Hill Books Ltd., London, Luton Press, Margaret Tait, Margaret Tait Film Maker, Margaret Taits, Motion Picture Color Technology, Oxford, RIT, Rochester, Scotland, Seattle, South London Poem Film Society, Sussex, The Guardian, The Orcadian, The Scotsman, The Times, United Kingdom, University of Luton, Various Ancona Films, Vertigo, Victoria, Vol, Williams & Wilkins Company

1. ‘On The Idea of Permanence’

To say that archival records are permanent seems to fix their nature beyond doubt and to establish beyond challenge the full extent of the archivist’s responsibility to them.1 Two years ago, while writing a paper on the preservation of amateur and small gauge film, I came across a reference to an article in the American [...]

Tags: archivist, bfi Chair, Britain, British Film Institute, CBE, Department of Culture, film archivist, Film Council, Historian, I, James M. O'Toole, Joan Bakewell, Margaret Tait, Media and Sport, On The Idea of Permanence, physician, Prime Minister, Suffering Due to Desire

Preserving the Hand-Painted Films of Margaret Tait An MA Dissertation by Joss Winn, 2002

Posts Tagged ‘British Film Institute’

Bibliography

1. ‘On The Idea of Permanence’

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