Aurand, Ute. [Obituary] ‘Margaret Tait’. Translated from the German. First appeared in epd Film, Frankfurt, June 1999. Bell, Gavin. ‘A Reel Visionary’, The Scotsman, 27th September, 2000. British Film Institute databases: SIFT; Film Index International. Conservation Center for Art and Historic Artifacts (CCAHA). Mold. Managing a Mold Invasion: Guildlines for Disaster Response, Philadephia, 1996. Curtis, [...]
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Tait’s last effort to include hand-painted or drawn elements was a twelve minute film entitled Garden Pieces (1998). There, she adapts the technique of drawing on the film surface used in Numen of The Boughs. With this film, however, dense solid colours were added during printing to produce a very successful combination of colour shifts [...]
Tags: animation, Berlin, Bristol, David Curtis, Garden Fliers, Garden Pieces, GBP, Grove, London, major surgery, meditation, Munich, poppy head, radiotherapy, Round The Garden, Tait
While I intend to continue discussing the life and work of Margaret Tait, from hereon in I shall do so with reference to the hand-painted and hand-drawn films she produced throughout her career as a filmmaker.1 These films are: Calypso (35mm/16mm, colour, sound, 4:29, 1955) John MacFadyen (The Stripes in The Tartan) (35mm/16mm, colour, sound, [...]
Tags: Ancona Films, animation, artist, Beginner, British Information Service, Calypso at, composer, cricket, Cuban Orchestra, David Curtis, Don Baretto, Edinburgh, Europe, GBP, GPO Film Unit, Hollander, HP5, Hugh MacDiarmid, I, Indies, Italy, Jack Ellitt, Jamaica, John Grierson, John MacFadyen, Kodak, Len Lye, London, Margaret Tait, New Zealand, Norman McLaren, painter-film maker, Rome, Rose Street, The Echo, West Indies